Author Archive

Works by this artist

1624- Untitled (Onion skin)
1624- Untitled (Onion skin)
Catherine PILGRIM. Lithograph. 34.0 x 30.0 cm (image).
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1625- Untitled (Redback Spider)
1625- Untitled (Redback Spider)
Catherne PILGRIM. Stone Lithograph with hand colouring. 76.2 x 57.0 cm (sheet).
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1626- Untitled (Grape spider)
1626- Untitled (Grape spider)
Catherine PILGRIM. Stone Lithograph. 76.2 x 57.0 cm (sheet).
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1627- A Moment III
1627- A Moment III
Dagmar CYRULLA. Oil on linen. 91.0 x 91.5 cm.
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1628- Untitled (Guitar)
1628- Untitled (Guitar)
Robert JACKS. Watercolour. 38.0 x 28.2 cm (sheet).
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1629- Web of Life
1629- Web of Life
Eric THAKE. Pencil. 25.5 x 20.8 cm (sight).
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1630- Sketch for Mother and Child
1630- Sketch for Mother and Child
Jeffrey SMART. Ink on paper. 17.0 x 22.5 cm (sight).
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1631- Nude and head of Michelangelo
1631- Nude and head of Michelangelo
Judy CASSAB. Oil on paper. 36.5 x 27.0 cm (sight).
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1632- Portrait of Topsy Longstaff
1632- Portrait of Topsy Longstaff
John LONGSTAFF. Oil o canvas on composition board. 51.0 x 43.5 cm.
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1633- Standing Figure
1633- Standing Figure
John ROBINSON. Silkscreen. 33.5 x 38.5 cm (image).
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1634- Bridge at Sunbury
1634- Bridge at Sunbury
John ROBINSON. Woodcut. 45.0 x 31.0 cm (image).
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1635- Garden
1635- Garden
John ROBINSON. Colour lithograph. 33.0 x 48.0 cm (image).
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1636- Blind Spring
1636- Blind Spring
John ROBINSON. Colour lithograph. 32.5 x 56.0 cm (image).
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1637- Albert Tucker
1637- Albert Tucker
John OLSEN. Lithograph. 54.0 x 48.0 cm (image).
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1638- John Percival (sic)
1638- John Percival (sic)
Rick AMOR. Woodcut. 42.8 x 29.1 cm (comp).
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1639- Fortunately one has no aesthetic sense
1639- Fortunately one has no aesthetic sense
Will DYSON. Drypoint. 14.9 x 21.8 cm (comp).
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1640- Mr Bennett and the Mermaid Tavern
1640- Mr Bennett and the Mermaid Tavern
Will DYSON. Drypoint. 21.5 x 27.5 cm (comp).
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1641- Sequence 8
1641- Sequence 8
Rger KEMP. Etching. 50.7 x 50.8 cm (comp).
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1642- Sequence Sixteen
1642- Sequence Sixteen
Roger KEMP. Etching. 45.6 x 56.7 cm (comp).
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1643- Water Lilies
1643- Water Lilies
Criss CANNING. Oil on composition board. 35.5 x 35.5 cm (sight).
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1644- Summer Sky, Chewton
1644- Summer Sky, Chewton
David Moore. Oil on cedar panel. 14.8 x 23.7 cm.
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1645- Law Courts
1645- Law Courts
Lionel LINDSAY. Etching. 17.5 x 13.7 cm (composition).
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1646- The Shepherd and His Flock
1646- The Shepherd and His Flock
W. Blamire YOUNG. Watercolour. 44.0 x 57.0 (sight).
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1647- Crane and the Empire State
1647- Crane and the Empire State
Marco LUCCIO. Drypoint. 29.7 x 29.7 cm (plate).
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1648- Gargoyle from the Chrysler Building
1648- Gargoyle from the Chrysler Building
Marco LUCCIO. Etching. 29.6 x 29.8 cm (plate).
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1649- Storm front I
1649- Storm front I
Wayne VINEY. Monotype. 36.0 x 39.0 cm (image).
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1650- Night Clouds VI
1650- Night Clouds VI
Wayne VINEY. Monotype. 17.4 x 17.4 cm (image).
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1651- Weather III
1651- Weather III
Wayne VINEY. Monotype. 17.5 x 17.4 cm (image).
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1652- Memento I
1652- Memento I
Philip WOLFHAGEN. Lithograph. 29.2 x 34.0 cm (image).
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1653- Memento II
1653- Memento II
Philip WOLFHAGEN. Lithograph. 29.2 x 34.0 cm (image).
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1654- Memento III
1654- Memento III
Philip WOLFHAGEN. Lithograph. 29.2 x 34.0 cm (image).
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1655- The City from Waverton, Sydney Harbour
1655- The City from Waverton, Sydney Harbour
Lloyd REES. Etching. 10.0 x 20.3 cm (image).
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1656- ‘Our Home’ in Majorca
1656- ‘Our Home’ in Majorca
Lloyd REES. Soft ground etching. 9.5 x 13.0 cm (image).
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1657- Summer Morning, Tasmania
1657- Summer Morning, Tasmania
Lloyd REES. Lithograph. 40.0 x 53.5 cm (image).
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1658- Eric’s Girl
1658- Eric’s Girl
Euan HENG. Linocut. 30.0 x 30.2 cm (block).
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1659- Day-off
1659- Day-off
Pam HALLANDAL. Charcoal on paper. 63.5 x 48.5 cm (sight).
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1660- Rabbits for the dogs
1660- Rabbits for the dogs
Pam HALLANDAL. Charcoal, wash and pastel on paper. 73.0 x 53.0 cm (sight).
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1661- Surrey Hills
1661- Surrey Hills
John BRACK. Oil on composition board. 92.0 x 65.0 cm.
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1662- From Mine Road, Cottles Bridge
1662- From Mine Road, Cottles Bridge
Rick AMOR. Oil on linen. 51.0 x 76.5 cm.
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1663- Gellibrand Hill
1663- Gellibrand Hill
Rick AMOR. Oil on cedar panel. 14.7 x 23.1 cm.
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1664- Study for The Mill
1664- Study for The Mill
Rick AMOR. Oil on cedar panel. 12.6 x 22.8 cm.
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1665- Construction, Burnley Tunnel
1665- Construction, Burnley Tunnel
Rick AMOR. Oil on cedar panel. 12.6 x 22.9 cm.
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1672- The Hope Molecule
1672- The Hope Molecule
Jock CLUTTERBUCK. Etching, aquatint and colour stencil on Somerset paper. 50.0 x 50.0 cm (image).
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1673- At Haasts Bluff
1673- At Haasts Bluff
John BORRACK. Watercolour. 73.1 x 53.1 cm (sight), 76.0 x 56.0 cm (paper).
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1671- I’ve been told art about being old is not fashionable
1671- I’ve been told art about being old is not fashionable
Cherry Tennant. Pen and ink. 17.7 x 25.6 cm (sight).
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1670- The Silk Gown
1670- The Silk Gown
Judy Drew. Pastel on paper. 101.0 x 80.5 cm (sight).
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1669- Executive Suite
1669- Executive Suite
Robin STEWART. Oil and pencil on linen. 95.4 x 95.5 cm.
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1668- Study for Mintaro Landscape
1668- Study for Mintaro Landscape
Peter BOGGS. Oil on panel. 17.3 x 20.4 cm.
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1667- Winter Day in the Garden After Rain
1667- Winter Day in the Garden After Rain
David CHAPMAN. Oil on linen. 91.6 x 102.0 cm.
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1666- Head of Ian Armstrong
1666- Head of Ian Armstrong
Fred WILLIAMS. Oil on canvas. 38.8 x 26.1.
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1674- Sanctuary
1674- Sanctuary
Buno LETI. Etching and aquatint. 31.0 x 58.3 cm (image).
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1491- (Composition with stripe towels on beach)
1491- (Composition with stripe towels on beach)
Dorothy BRAUND. Gouache on paper. 40.5 x 50.0 cm (paper).
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1675- Mist
1675- Mist
Clarice BECKETT. Oil on cardoard. 35.9 x 30.7 cm.
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1217- Drinking Tea
1217- Drinking Tea
John PERCEVAL. Pencil. 40.4 x 35.0 cm (sight).
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