1624- Untitled (Onion skin)
Catherine PILGRIM.
Lithograph.
34.0 x 30.0 cm (image).
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1625- Untitled (Redback Spider)
Catherne PILGRIM.
Stone Lithograph with hand colouring.
76.2 x 57.0 cm (sheet).
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1626- Untitled (Grape spider)
Catherine PILGRIM.
Stone Lithograph.
76.2 x 57.0 cm (sheet).
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1630- Sketch for Mother and Child
Jeffrey SMART.
Ink on paper.
17.0 x 22.5 cm (sight).
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1631- Nude and head of Michelangelo
Judy CASSAB.
Oil on paper.
36.5 x 27.0 cm (sight).
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1632- Portrait of Topsy Longstaff
John LONGSTAFF.
Oil o canvas on composition board.
51.0 x 43.5 cm.
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1639- Fortunately one has no aesthetic sense
Will DYSON.
Drypoint.
14.9 x 21.8 cm (comp).
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1640- Mr Bennett and the Mermaid Tavern
Will DYSON.
Drypoint.
21.5 x 27.5 cm (comp).
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1646- The Shepherd and His Flock
W. Blamire YOUNG.
Watercolour.
44.0 x 57.0 (sight).
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1648- Gargoyle from the Chrysler Building
Marco LUCCIO.
Etching.
29.6 x 29.8 cm (plate).
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1655- The City from Waverton, Sydney Harbour
Lloyd REES.
Etching.
10.0 x 20.3 cm (image).
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1660- Rabbits for the dogs
Pam HALLANDAL.
Charcoal, wash and pastel on paper.
73.0 x 53.0 cm (sight).
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1672- The Hope Molecule
Jock CLUTTERBUCK.
Etching, aquatint and colour stencil on Somerset paper.
50.0 x 50.0 cm (image).
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1673- At Haasts Bluff
John BORRACK.
Watercolour.
73.1 x 53.1 cm (sight), 76.0 x 56.0 cm (paper).
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1671- I’ve been told art about being old is not fashionable
Cherry Tennant.
Pen and ink.
17.7 x 25.6 cm (sight).
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1667- Winter Day in the Garden After Rain
David CHAPMAN.
Oil on linen.
91.6 x 102.0 cm.
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1491- (Composition with stripe towels on beach)
Dorothy BRAUND.
Gouache on paper.
40.5 x 50.0 cm (paper).
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